Hedda review – Ibsen meets Downton Abbey in Nia DaCosta’s exotic rendering of classic play
High society in 1950s Britain is the setting in which Tessa Thompson’s free-spirited but manipulative Hedda marries for money. Cue jaded pleasure and absurdity Nia DaCosta, known for her satirical horror Candyman from 2021, has now created an exotic melodrama; it is ridiculous, intense, (…)
Site référencé:
The Guardian (Africa)
2500.jpg?width=140&quality=85&auto=format&fit=max&s=de9ab5106e7f5c1f053146c0d690117d, 2500.jpg?width=460&quality=85&auto=format&fit=max&s=ab5aa863c5df46f2ecf57c7d8b5438ed, 2500.jpg?width=700&quality=85&auto=format&fit=max&s=2034eea92497a8730ae2c7aa21aaadcb
The Guardian (Africa)
Marinakis calls the tune at Nottingham Forest – but what is his endgame ? | Jonathan Liew
23/10/2025
Rachel Reeves is the face of this budget. But the really big decisions are not in Labour’s hands | Larry Elliott
23/10/2025
Catherine Connolly : the outspoken leftwinger set to be Ireland’s next president
23/10/2025
You be the judge : should my sister buy new crockery and cutlery ?
23/10/2025
Africa’s children : 20 years on, what happened to the millennium babies ?
23/10/2025
That’s all folk : Marina Warner, the curator and mythographer creating a space for stories
23/10/2025